這部電影或許就是好在波蘭斯基沒(méi)有想要煽情他用真實(shí)的鏡頭還原東北往事第二季在亂世中的故事茍活求生每次見(jiàn)到人都是說(shuō)I NEED HELP每次幫助他的人都有著不同的身份和納粹合作的猶太同胞好心的波蘭夫婦逃走的波蘭人納粹軍官波蘭斯基的真實(shí)和對(duì)節(jié)奏的控制讓這部電影精彩了很多
魔角之聲:36.60.118.36
Driven almost entirely by dialogue, full of Mankiewiczian wit, a portrayal of power struggle between the creative and the institutional. Is the lovable loser really a lost genius or is he just beating on a dead horse?